5 SIMPLE TECHNIQUES FOR CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are sometimes yearning romantics, using this type of variation: Buster appears to be a plausible mate, and also the Tramp hardly seems to possess a libido, only idealized notions. If their comedies had been created in a more liberated time, it is feasible to imagine Keaton in bed with a woman, but disquieting to think of the Tramp like a sexua